Young Hugo (played by the same actor, Marcelo Ribeiro, in a daring casting choice that emphasizes the blurred lines between past and present) is dropped off at a high-end brothel in São Paulo. His mother, Ana (Vera Fischer), is a high-class courtesan who works and lives in the establishment. She leaves him there while she pursues a wealthy marriage to secure her future.
The central tension arises from the boy’s awakening sexuality and his intense, oedipal fixation on his mother. The film does not shy away from the uncomfortable reality of a boy desiring his mother, framed through Khouri’s lens as a tragic inevitability rather than a moral failing. This culminates in the film’s most controversial sequence, where the boundaries between maternal comfort and sexual intimacy are irreparably blurred. It is impossible to discuss Amor Estranho Amor without addressing the elephant in the room: the film’s depiction of incestuous desire and the involvement of a minor in sexually charged scenes. Amor Estranho Amor -Love Strange Love- -1982- English
The film’s climax is not presented as a triumph of passion, but as a moment of profound sadness and corruption. The "strange love" of the title refers to the Young Hugo (played by the same actor, Marcelo
For decades, the film was relegated to the "Video Nasty" lists or suppressed due to its content. The search for an English version of the film is often driven by this notoriety. However, critics and scholars argue that labeling the film as mere exploitation does a disservice to Khouri’s intent. The central tension arises from the boy’s awakening
Walter Hugo Khouri was known for his serious, almost philosophical approach to eroticism. He was not interested in titillation for its own sake, but rather in exploring the psychological depths of human desire. In Amor Estranho Amor , the brothel serves as a metaphor for the world. The women are trapped by their circumstances, the men are trapped by their vices, and Hugo is trapped by his premature initiation into adulthood.