The Biermanns employ a "houseboy" named Petrus. In the lexicon of Apartheid, this term infantilized grown men, reducing them to children in the eyes of their employers. Petrus is reliable, intelligent, and trusted with the keys to the store—a trust that the narrator, Mr. Biermann, prides himself on. This false sense of mutual respect is the calm before the storm. The plot’s central conflict begins when Petrus approaches Mr. Biermann with a request that is urgent and personal. Petrus’s father, an elderly man, has walked all the way from the rural areas (likely a "homeland" or reserve) to visit his son. The journey was grueling, and shortly after arriving at the farm, the old man collapses and dies.
When they return to the farm, the reality of the poverty faced by the servants is laid bare. The Black workers on the farm pool their meager savings. They have managed to gather the necessary seven guineas, but there is a catch. The hearse service has a fee, and the total cost rises to roughly ten pounds. The laborers are short of the total sum. In a moment that defines the moral landscape of the story, Mr. Biermann is asked to loan the difference. It is a trifling amount for a landowner. six feet of the country by nadine gordimer summary
This section of the story is pivotal. The white farmer expects the white bureaucracy to accommodate his request because he is a white man of standing. However, the commissioner is adamant. The laws are rigid: the old man is dead, and moving a corpse requires money—specifically, seven guineas for the transport permit and the hearse. The farmer, despite his relative wealth, does not offer to pay the full amount immediately, assuming the Black workers should contribute. The Biermanns employ a "houseboy" named Petrus