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Òåëåôîí â Êðàñíîÿðñêå: (391) 290-44-77

Âû íàøëè íóæíûé ñåðâåð, íî â äðóãîì ìàãàçèíå îí äåøåâëå? Ñîîáùèòå íàì îá ýòîì, è ìû ñíèçèì äëÿ âàñ öåíó!

Ñàìûå ïîïóëÿðíûå è îïòèìàëüíûå ñåðâåðà!  Çàõîäèòå, ïîäáèðàéòå êîíôèãóðàöèþ!

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Ïèøèòå íàì Òåëåãðàìì

ã.Êðàñíîÿðñê, óë.Ìå÷íèêîâà,  ä.44À, îô.139

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Óñòàíîâêà ÎÑ ïðè ïîìîùè SmartStart

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Êàæäûé ðàç, ïîêóïàÿ HP Proliant è îòêðûâàÿ êîðîáêó ñ íîâûì ñåðâåðîì âû ïîëó÷àåòå ïîìèìî ñåðâåðà è íåîáõîäèìûõ ìîíòàæíûõ îïöèé åùå è «êîðîáî÷êó ñ äèñêàìè», êîòîðóþ áîëüøèíñòâî èíæåíåðîâ, âîñïèòàííûõ íà äðåâíèõ ÈÒ «ìóäðîñòÿõ» îòêëàäûâàþò â ñòîðîíêó, áëàãîïîëó÷íî çàáûâàÿ î íåé óæå ÷åðåç 10 ìèíóò. Âñïîìèíàþò îá ýòèõ êîðîáî÷êàõ êàê ïðàâèëî ïðè óáîðêå ïîìåùåíèé è ïðè âîçíèêíîâåíèè òðóäíîñòåé ñ ñåðâåðàìè.

À òåì âðåìåíåì, âû ìîæåòå çíà÷èòåëüíî îáëåã÷èòü íàñòðîéêó è àäìèíèñòðèðîâàíèå ñåðâåðà, èñïîëüçóÿ òîëüêî øòàòíûå, íàõîäÿùèåñÿ â êàæäîé òàêîé êîðîáî÷êå è äîñòóïíûå âñåì âëàäåëüöàì ProLiant íàáîðû ÏÎ. Äàâàéòå ïîñìîòðèì, ÷òî èìåííî åñòü íà äèñêàõ, è îòäåëüíî ïîçíàêîìèìñÿ ñ óòèëèòîé HP SmartStart íà êîíêðåòíîì ïðèìåðå <óñòàíîâêè OS MS Windows 2008 R2 SP1>.

Èòàê, âíóòðè êîðîáî÷êè ëåæàò íåñêîëüêî äèñêîâ:

SmartStart

— äèñê, áåñïëàòíî ðàñïðîñòðàíÿåìûé âìåñòå ñ êàæäûì HP Proliant (êðîìå íåêîòîðûõ ñåðâåðîâ 100-ñåðèè); ïðåäíàçíà÷åí äëÿ ïîäãîòîâêè ñåðâåðà, èíñòàëëÿöèè ÎÑ MS Windows è äèàãíîñòèêè îáîðóäîâàíèÿ è êîìïëåêòóþùèõ.

Firmware DVD

— äèñê, âêëþ÷àþùèé â ñåáÿ ìàñòåðà è íàáîð ïðîøèâîê, àêòóàëüíûõ íà ìîìåíò âûõîäà ñåðâåðà ñ çàâîäà(ìîæíî ñêà÷àòü ñâåæèé FW DVD ñ ñàéòà HP.

Documentation Disc

— åùå îäèí äèñê, êîòîðûé ïîìîæåò â òðóäíûå ìîìåíòû(ñòàðîå ïðàâèëî — «åñëè íè÷åãî íå ïîìîãàåò, òî ïðî÷òèòå äîêóìåíòàöèþ» êàê íè ñòðàííî ðàáîòàåò).

Ïîñëåäíèé äèñê- Management DVD

— âåñüìà ïðèìå÷àòåëüíûé äèñê ñ ñèñòåìîé ìîíèòîðèíãà(System Insight manager – HP SIM)òàê æå ìîæíî îáíîâèòü, ñêà÷àâ ñ ñàéòà Êîìïàíèè, íî ñåé÷àñ î SmartStart è ïîëüçå îò íåãî.

Åñëè ÎÑ óñòàíîâëåíà ñ ó÷àñòèåì äèñêà SmartStart òî â èòîãå ìû óâèäèì ïðèìåðíî ñëåäóþùóþ êàðòèíó íàæàâ íà ññûëî÷êó íà äåñêòîïå ïîñëå èíñòàëëÿöèè:

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ãäå áóäóò âèäíû êîìïîíåíòû ñåðâåðà è èõ ñòàòóñû. Âñå ññûëêè íà ñòðàíè÷êå SMH êëèêàáåëüíû è âåäóò ê áîëåå ïîëíîìó îïèñàíèþ. Ýòè æå äàííûå áóäóò òðàíñëèðîâàòüñÿ â ñèñòåìó ìîíèòîðèíãà (êîãäà îíà ó âàñ ïîÿâèòñÿ). Åñëè ÎÑ ïîñòàâëåíà ñ îðèãèíàëüíîãî äèñòðèáóòèâà îò Microsoft, òî ïîäîáíîãî íå áóäåò.  ñåòè ïîäîáíàÿ ñèñòåìà òîæå ïðàêòè÷åñêè íè÷åãî î ñâî¸ì ñàìî÷óâñòâèè ñîîáùèòü íå ñìîæåò.

Îáùèå ïðåèìóùåñòâà òàêîé èíñòàëëÿöèè – âîçìîæíîñòü â ñàìîì íà÷àëå óêàçàòü íàñòðîéêè (êëþ÷è è ïð) è äàëüíåéøàÿ èíñòàëëÿöèÿ áóäåò ïðîõîäèòü áåç ó÷àñòèÿ èíæåíåðà âïëîòü äî Winlogon. Ýòî ýêîíîìèò âðåìÿ è ïîçâîëÿåò çàíÿòüñÿ èíæåíåðó áîëåå àêòóàëüíûìè çàäà÷àìè. Âñå íàñòðîéêè óæå âíåñåíû â Ìàñòåð óñòàíîâêè:

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 ñëó÷àå, åñëè ñòàâèòñÿ ÎÑ ñ ïîìîùüþ SmartStart âñå íåîáõîäèìûå äðàéâåðû è óòèëèòû àâòîìàòè÷åñêè áåðóòñÿ ñ SmartStart-à è óñòàíàâëèâàþòñÿ â ïðîöåññå óñòàíîâêè ÎÑ.  ñëó÷àå, åñëè óñòàíîâêè ñ äèñòðèáóòèâà ÎÑ – íåîáõîäèìî áóäåò ïîñëå óñòàíîâêè ïîñòàâèòü Proliant Support Pack è áîëüøèíñòâå ñëó÷àåâ åùå ïðîâåñòè äîïîëíèòåëüíûå ðàáîòû (çàâèñèò îò îáîðóäîâàíèÿ).

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, by contrast, is the brash, technological younger sibling. As camera technology advanced from the bulky, static boxes of the early 20th century to the digital powerhouses of today, the ability to capture "truth" shifted. Photography offered an immediacy that painting could not. A photograph was seen as an indisputable fact—a slice of time frozen forever.

Today, the realms of represent a massive, multifaceted industry and a deeply personal spiritual practice for millions. While they are distinct disciplines—one rooted in technical precision and the preservation of light, the other in interpretation and emotion—they share a common heartbeat. Both seek to bridge the gap between the human observer and the untamed subject. Video de artofzoo

This article delves into the evolution, techniques, and profound importance of capturing nature through the camera lens and the artist’s hand. To understand where we are, we must look back. Nature art is the elder statesman of the two. Before the camera existed, the artist was the only documentarian of the wild. In the 19th century, figures like John James Audubon revolutionized the field, creating scientifically accurate yet artistically stunning depictions of birds. These works were not just decoration; they were scientific data. They taught a growing urban population what existed beyond the city limits. , by contrast, is the brash, technological younger sibling

The modern wildlife photographer is a master of technical chaos. They must balance the "exposure triangle" (aperture, shutter speed, and ISO) in rapidly changing conditions. A bird in flight requires a shutter speed of 1/2000th A photograph was seen as an indisputable fact—a

However, the lines between these two are blurring. Modern wildlife photography often seeks an "artistic" quality, using bokeh, lighting, and composition to mimic the moodiness of an oil painting. Conversely, modern nature art often relies heavily on photographic reference to achieve hyper-realistic detail. At its core, wildlife photography is a study in frustration and reward. It is often said that a nature photographer spends 90% of their time waiting and only 10% shooting. It is a discipline that demands an intimate understanding of animal behavior. You cannot simply walk into a forest and ask a stag to pose; you must understand its migration patterns, its feeding habits, and its comfort zones.

 

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